Writer · Director · Producer · Faroe Islands
Genre films from the edge of the North Atlantic.
From June 2026 I hold a three-year national artist's grant to write and direct a new slate of Faroese films.
A short film is a calling card. The features are the real work, and the grant makes them my full-time job for three years. In that time I want to finish two of them and get a third ready to shoot. One is a folk horror, another a survival war drama based on real events, the third a documentary about why we sing. What they share is a root, in the Faroese language, the landscape, our history, and the way we actually live. I believe ambitious, locally grounded cinema, genre very much included, is how a small nation reaches the world.
Listafólkaløn 2026-2029 · Mentanargrunnur Landsins (Faroese Arts Council)
I grew up in the Faroe Islands in the 1970s and 80s, with little access to cinema and an outsized love of it. That took me to a film degree in Copenhagen, an internship at Final Cut for Real, four years in the Sydney industry, and a stretch studying Chinese language and culture in Beijing, before the islands pulled me home.
I make genre films (folk horror, war drama, westerns, fables), and a documentary when the subject demands it. Whatever the form, the source is the same: Faroese history, myth and landscape, and the people who endure them. I run Helmsdal Media and develop my films with Outlier Projects and GRÓ Studios, and co-host Hermann & Helmsdal, the first Faroese film podcast.
The land is not something we control, only something that tolerates us, until we go too far.
Director's statement
Inspired by a hike in the Faroese mountains, this is a folk horror about the unwritten laws between people and landscape, and what happens when modern ideas of access, ownership and the freedom to roam collide with something older and less forgiving. The film explores guilt, survival, and humanity's tendency to treat nature as something to be studied and managed rather than respected. Locally rooted, internationally resonant, and driven by the atmosphere and raw power of the landscape itself.
Gudmund Helmsdal, writer-director
A documentary built as a choral symphony in four movements (Breath, Work, Rupture, Gathering) about why Faroese people sing, climaxing in the midnight song of Ólavsøka, where thousands become one voice. Not a film about how special we are, but about what singing does to us, and what is lost if it fades.
1940. Faroese sailors run fish to Britain through U-boat waters while their nation pays the price for a war it chose to join. Following the seven-man crew of the sloop Union Jack, drawn from Frederik Bláhamar's memoirs. A survival story, and an intimate portrait of ordinary men in an extraordinary moment.
A school bus stops in the mountains. The driver goes for help; when she returns, the children are gone. Almost wordless. Landscape, sound and dread carry everything. A standalone short that tests the world and the creatures of Whistler.
In a lone Faroese valley in 1898, two brothers who agree on nothing, least of all God, find that some jokes can't be taken back.
A fermented tragicomic western set in a lone Faroese valley in 1898. Two brothers share a farm at the edge of the world. One is devout, the other has no use for God, and they agree on nothing but how to needle each other. Then an ordinary day takes a turn that neither of them can undo. A grim and tender little film about faith, spite, and what we owe the people we can't stand to lose.



Images, movements and transitions held by a fine hand, framed in sound, light and landscape into a whole, as if it were a painting or a sculpture brought to completion.
Selected crew & location work
Faroe Islands unit on international and Nordic productions, 2011-present.
Film markets attended
Get in touch
Helmsdal Media · in development with Outlier Projects & GRÓ Studios